Brave New World (1931) anticipated the mechanics and the biotechnology of confident mass social regulation. 1984 (1948) depicted the totalitarianism of information and cancellation and war and ignorance control. Farenheit 451 (1953) saw the uniformity of comfort, hatred of knowledge and the fantasist plus crippling anxiety of aspiring to a world lived inside the four walled VR room. Huxley (1894-1963) and Orwell (1903-1950) are Modernists, embedded in their generation's zeitgeist. Both novels are masterpieces, smart brave idealism masquerading as fiction. The Ray Bradbury (1920-2012) novel - a better work of fiction, by a primarily fiction writer - slips into the 20th-century literary canon by a sci-fi side-door because by the 1950s/60s, the cultural gatekeepers have been replaced by postmodernists eager to marginalize individuals (especially dissenters).
See also : We (1924) an early Modernist dystopia novel by Russian writer Yevgeny Zamyatin (1884-1937). Written for younger readers but unflinching on substance is The Guardians (1970) and The Death of Grass (1956) by English writer John Christopher (1922-2012).
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“A really efficient totalitarian state would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude. To make them love it is the task assigned to ministries of propaganda, newspaper editors and schoolteachers…"